Lila by Marilynne Robinson: a story of grace
YOU READ a book, expecting to have fun, the kind that your brother Sean, who hardly reads anything at all, save for his textbooks, won't ever understand. You begin with the first few paragraphs. Amazed at the craftsmanship of the sentences, you keep at it—the pleasures of reading, they call it. Then you lose grip of time; your head is up in the clouds of the story—a made-up world that, for a moment, seems more real than reality. You wonder at how words—letters pieced together, their meanings defined by spaces or lack thereof—can have such an effect on your emotions. Apathy turned into concern, rage into sorrow, discontent into delight. Or maybe a combination of them, because a person, indeed, has the capacity to handle, though not completely explain, a wide range of feelings, like the spectral colors of the rainbow in the afternoons of childhood.